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Ink-wash animation
Shui-mo animation (Ink-wash animation, 水墨动画) is an animation style that is unique to China. This style combines both Chinese traditional aesthetics of Shui-mo and modern animation techniques. It first appeared in the 1961 with the first Chinese ink-wash animation ''Tadpoles Searching for Mother''.〔 After the 1990s, film studios gradually gave up ink-wash animation production due to the high demand in cost and techniques.〔
==Development==
In late 1950s, inspired by China's legendary painter Qi Baishi's water-ink painting, Chinese animation industry pioneers began to explore ways to turn Chinese traditional paintings into cartoon form.〔( "Once famous Chinese ink painting animation faces extinction." ) Retrieved Jun 1, 2014.〕 The first ink-wash animation film, ''Tadpoles Searching for Mother'', received the Best Animated Film Prize at the First Hundred Flower Awards, as well as several international prizes.〔("Water-ink animation: a fading Chinese dream." ) Retrieved Jun 1, 2014.〕 Since then, more ink-wash film were produced.
But by the 1990s, animation studios without government funding were urged to produce cheap television series instead of costly ink-wash production. Techniques that had once been identified as state secrets were used to shoot commercial advertising.〔("Water-ink Animation's Uncertain Future." ) Retrieved Jun 1, 2014.〕 ''Feelings of Mountains and Waters''， produced in 1988, is said to be the last masterpiece of Chinese ink-wash animation film.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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